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"I'll see to it that you don't forget, miss," she said gayly. "Good-bye, Judy; don't be late for lunch, for it's short and sweet with us real artists. We can't potter over our food like you idle Philistines, you know." "There isn't any more goodness in dismal looks, no, nor half so much, as in happy faces. Don't the cherubim sing eternally? Is there anything said about dark days in the New Jerusalem? I'm ashamed of you, Judith Kendall, for not knowing that it's twice as brave and good to be cheerful and pretty as it is to be moping and dull. Look at Elinor—would we love her if she'd been fussing about the hard times we had? Not much! Every bright smile she had for those horrid times has made her more adorable to me and I look on every bit of happiness we had in those poor days as just so much wrested from the powers of darkness." She stopped suddenly, with a little gasp of embarrassment, as Elinor entered. "Miss Dallas, I know no more than you do; but he evidently desires to make a clean breast of this whole miserable business.".
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Conrad
Patricia tossed her bright head scornfully. "That is impossible!" he said, positively. "Quite impossible!" "And you will let me know?" It was Dido who spoke first. She noticed that the eyes of her mistress constantly strayed in the direction of "Ashantee," and with the jealousy begotten of deep affection, she guessed that the girl's thoughts were fixed upon the much-hated Maurice. At once she spoke reproachfully, and in the grotesque negro dialect, which, however, coming from Dido's mouth, inspired no one with merriment..
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